And he's lost in that moment. And all of a sudden this strange ticking Begins coming out of the dashboard. Rips out the control panel, right? Takes out his tools. Trying to find the sound, trying to stop the sound. But he can't find it. He can't stop it. It keeps going. Few hours into this, begins to feel like torture. A few days go by with this sound, and he knows that this small sound He'll lose his mind. What's he gonna do? He's up in space, alone, in a space closet. He's got 25 days left to go So the cosmonaut decides So he closes his eyes He doesn't hear ticking anymore.
He hears music. And he spends the sailing through space in total bliss Sign In. Play trailer Drama Romance Sci-Fi. Director Mike Cahill. Mike Cahill Brit Marling. Top credits Director Mike Cahill. See more at IMDbPro. Trailer Another Earth. Clip Photos Top cast Edit.
For such a quiet, simple story, "Another Earth" isn't interested in subtlety when it comes to its emotional payload. But while I fought with "Another Earth" more than I would have liked, I have to admit that Rhoda and John's emerging love affair got to me. Much like the film's spell on its audience, these two have a slender but undeniable hold on one another, and it's partly because we and Rhoda know on some level it simply can't last.
Cahill wants to tell a bold story about destiny and second chances, but as the film went along I found myself caring less and less about that other Earth. We often complain that films aren't bold or ambitious enough, that they settle for pat conflicts and easy resolutions. Closing costs can be more expensive than you think, and you don't want to be caught by surprise and left scrambling to come up with the cash you need.
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A man on the street wears a tinfoil hat. Rhoda's essay centers on her status as an ex-con, someone not usually given much in the way of opportunities, and her desire to reach for the stars, her life before and after merged together.
Despite its low budget, Cahill achieves a strong sense of place with few locations. His thoughtful framing and lighting accentuate his characters - Rhoda standing at one of Burroughs's windows as dust mites dance in the light around her, Rhoda walking through the field towards his house centered and isolated but moving forward, the normalcy of John and Rhoda playing a WII boxing game in a situation anything but normal.
The film does seem overextended, however, its ideas maybe better suited to a long short form than a feature. Brit Marling gives a luminous performance as Rhoda, thoughtful and pained but still hopeful. Mapother doesn't come into as clear a focus, although his gradual reconnection with life is intelligently done with no soggy sentiment.
The two work well together in what is essentially a two person piece. Although we can guess how Rhoda will try to help heal John and assuage her own guilt, Marling and Cahill's final shot is a gift to Rhoda we do not expect and one which leads to many conjectures. It's cathartic by means of suggestion rather than spelling anything out, a lovely 'Oh! When Rhoda earns her parole, she is older and wiser, taking a janitorial job instead of graduating college as planned four long years ago.
She toils day to day, keeping her identity anonymous — she was convicted as a minor and her name is not attached to the deadly accident. All the while Earth 2 is drawing closer and closer and SETI attempts to contact the new world by radio as the whole world watches. Joan Tallis Diane Ciesla , hears her own voice coming from Earth 2. Pandemonium breaks out when the whole world learns that there is a doppelganger planet that mirrors our own Earth.
The father, composer-turned-recluse John Burroughs William Mapother , has sunk into a depression where none of his past life matters anymore.
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